A few days ago I made public my frustration with the mistitling of the upcoming remake of “The Karate Kid,” and wouldn’t you know in today’s LA Times, way too much front page Calendar section play is given to what amounts to soft -‘n-puffy feature about the backstory of the production of That Movie Which I Shall Not See.

Of course I took issue with a couple points:

I guess most of your readers (“Comeback Kid,” Calendar, May 30) will just surrender to Hollywood’s incredible ability to rationalize, but not me. When Overbrook’s self-serving James Lassiter explains that the power and authority rests with the actual Chinese “people” when it comes to location shoots there, I’d like to see him apply that logic to events such as Tiananmen Square and the Sichuan earthquake. Apparently from his strange “That’s why it’s called the People’s Republic of China,” point of view ┬áthose same “people” didn’t want democracy and used their “authority” to violently massacre those who did? And I guess all those school children killed in the 2008 quake came about because the “people” didn’t want their kids getting educated in buildings that wouldn’t fall down?

The second, third and fourth letters in Lassiter’s name pretty much sum up what such a statement makes him look like.

And speaking of asses, blame for the lame title gets attributed to the original “The Karate Kid” producer Jerry Weintraub who allegedly objected to Sony’s plan to correctly title the film “The Kung Fu Kid.” I’m curious to know who said that exactly and why such a statement was run without getting a response or no comment from Weintraub.

I already wasn’t going to lay eyes on this film for the stupid title alone, but now this puff-piece on its production will leave me avoiding anything Overbrook puts its hands on — and anything under John Horn’s byline.

Will Campbell
Silver Lake